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military has decided to nuke the city on the upcoming Fourth of July holiday, so Scott and whomever he brings along basically have one day to accomplish all this. Scott Ward (Dave Bautista), a mercenary behemoth now working a grill in a dead-end diner, is enlisted by a mysterious billionaire (Hiroyuki Sanada) to go back into Zombie Vegas, break into a vault under a casino, and retrieve the fortune stashed there. The next hour or so is quite engaging, too. This is the first 15 or so minutes of Army of the Dead, and it is basically perfect. (My favorite image: a paratrooper desperately firing away at the slavering throng of monsters below as his parachute lands him ever so gently in their midst, whereupon he is consumed.) Then, Vegas is bombed, an improvised cordon of giant shipping containers is stacked around it, and the city is ceded to the undead.Įnd opening credits. The military tries to take control and fails. As the music continues, the mayhem accelerates and expands (in slow motion, of course, because Zack Snyder) as we are introduced to our main characters escaping the undead, blowing away zombies, and sacrificing loved ones. Then comes exactly the right opening-credits sequence: Over a Richard Cheese and Alison Crowe cover of “Viva Las Vegas,” swarms of zombie showgirls, pageant queens, Elvis impersonators, and hotel maids feast on the people of Sin City.
#TALE OF 2 WASTELANDS MORE MERCHANT MONEY MOVIE#
Zack Snyder’s Army of the Dead begins exactly how a Vegas heist movie set during a zombie apocalypse should: with a guy getting a blow job while driving his car in the Nevada desert, accidentally ramming into a top-secret military convoy, and unleashing the sinister results of a clandestine government project.